They never came to dominate the recording sector in the same way, though, and as the notion of 'analogue warmth' gained traction around the turn of the century, they started to become rather unfashionable.Īt about the same time, digital technology began to take over the live-sound market, as live productions became ever more ambitious and required ever higher channel counts. When large-format digital consoles from the likes of Sony, Tascam, SSL and AMS Neve first appeared, they were targeted at recording studios as well as broadcast and post-production. Many of the features that won live sound engineers over to digital desks also have huge potential in the studio.
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